Mumford and sons Magazine cover analysis
When looking at the magazine advertisement to the debut
album of Mumford and Sons "Sigh no more", one notices the predominant
vintage aesthetic seen throughout this promotion to promote Mumford and Sons
English folk style. The folk music is a very old genre of music, with the term
"folk music" being coined during the 19th century yet the term has
been used to describe similar sounds of music that was released before the
coinage of the term. Hence, here with have graphics on the magazine advert to
communicate the genres some would say classical origins and style.
One such example is the
overall layout of the ad using a minimalist look of a limited colour palette of
black and white excluding the album art as well as a simple border, which does
not feature crisp straight, stokes and shows some inconsistency in the line
weight. This features in particular the border conveys the look of a
traditional printing press rather than a graphic developed via digital means.
These result in the look of a 19th century like graphic or illustration which
helps to promote the vintage style of the artist in addition convey them as
having more traditional values. To further explain the use of simpler graphics
convey this idea that they come from a "simpler time" in which one
could assume music wasn't so much about attracting a selling work to mass
audiences but rather entertainment; the more simpler graphics convey a more
welcoming a less corporate look to the band.
The magazine ad utilities a style similar to 19th century graphics as seen here in this example of 19th century illustration |
The band's name has been
composed in the top centre of the poster to allow audiences to easily identify whom
it is the ad is promoting. Not only this but the font used for the name of the
band has been writing in a serif italic font which continues the look of a
vintage theme but using more classical graphic design for the poster. The band's
name makes use of an archaic language feature such as the ampersand and stylises
it with large swashes, which communicates this classical look to the band as
well as conveying them as "classy".
In the bottom centre of
the poster we see the release date of
the album written in a large font in a similar serif style to the title, around
the release date we see more decorative graphics which further conveys this vintage
elegant look linking towards the style of the bands genre.
When discussing the
overall composition of the ad it features a z formation layout complimenting
the natural eye movement of the viewer placing features in order of importance.
The name of the band , in order to firstly communicate who is being promoted,
the album art to establish what album in particular is being sold, the release
date, a review or award to further persuade viewers to purchase the album and
finally the logo of the record album possibly for copyright reasons.
The album art featured on
the ad depicts the band members standing behind a store, which by doing some
research is the Pimpernel and Partners store which specialises in 19th century
furniture. Firstly, one may suggest the
reason why the artists are featured on both the magazine ad and album art is
because of the fact that Sigh No More was the band's debut album therefore the
Band need to promote them and sell their faces in order for audiences to know
who they are. Secondly, the significance of placing the band within a furniture
antiques store further conveys there vintage image as well as somewhat making
an intertextual reference to what is arguably folk music's stylistic origins to
easily communicate to audiences that this band is more classical based then
other types of artists.
Finally this classical
theme is further communicated via the title of the album itself which is a quote
from Shakespeare's play Much ado about nothing which thus connotes the band as
being cultured by utilising a reference to classic literature as there title.
When looking at the music
videos attached to songs featured on said album, video Little Lion Man further
explores the vintage theme to convey the bands folk style. The video features a
greenish brown colour filter, which connotes an old film look to the video.
Said old film effect makes the video look not only vintage but in some ways homemade
like a "home movie" which in turn fits in with the folk theme of
making it look like it was produced by local people.
The band members seen in
the video in particular are dressed in classical fashion such as waistcoats and
plaid suits not only this but in terms of mis en scene the video is set within
a barn, which further gives off the cultured look to the band as established on
the cover. Such clothing gives off a Victorian like look to the band whereas
the barn setting makes the band seem very simple yet feature a country like
theme towards them which conveys a friendly human look to the band.
In conclusion, from
looking at this magazine ad it seems that a useful device to use would be to
link your graphics and styles to that similar to the artist or rather to connote
the artist's style or genre i.e. using classical design to allude to folk music
and its older origins. Furthermore, a z formation structure would be useful in
organising features in order of their importance. Finally based on this design
it would be wise to feature the album art on the cover in order to both keep
synergy between the album and magazine ad. Not only this but also possibly
keeping the synergy strong with the music video as well if the album art features
themes borrowed from the music videos attached to the as previously seen in
some Digipak research such as my Calvin
Harris research and Eric
Prydz research.
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